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Tag: szr

Granting the User Control

More than once I have spoken about giving the user control over their experience. Too often we make assumptions about how things should work, but in the end those assumptions always forget someone. Providing a set of tools for the user to control the situation or experience allows us to have the most rich and dynamic experience we can build, but one that any user can get behind even if they can’t do all the fancy bells and whistles.

One such example is animation in social media. We love (I know I do) to post animated gifs, videos, vines, and cool new web animations in a place where our friends and colleagues can see. For me, many of these (especially videos and animations) will trigger a vertigo attack. The wrong kind of animation could cause someone with photo-sensitive epilepsy to have a seizure. I have a little faith left in humanity and hope no one posts these kinds of things with the intent to harm, but we can do better.

I’m not asking you to stop posting these. Instead I’m asking to give your followers control. If you come across a video full of violence, profanity, or sexual content while at work (or somewhere you would be embarrassed to get caught viewing it), you appreciate when that video has a NSFW (not safe for work) tag on it. We have learned what this means and now have the choice to view it or save it for when we are less likely to be embarrassed if caught.

We also have TW (trigger warning) for articles that contain descriptions of sexual assault, abuse, or suicide. We recognize that some people out there will be dramatically affected if they read these things, so we let them know up front it could happen. They can then choose to keep reading or not. They have the choice and the control.

So, I’m pushing for two new tags. One warns users that the content may cause dizziness, the other warns against possible seizure inducement.

#DZY

DZY, short for dizzy, but a clear concise item that takes up no more than 4 characters (if including the octothorpe – #). It communicates that the following content may cause some vertigo, motion sickness, or dizziness in some users. Putting this in a tweet with a link allows users like myself to decide if they want to click on it. The user has control. They can click through knowing they will see movement (knowing goes a big way in prevention), or if they are having a bad vertigo day (like I am right now) they can avoid it completely.

#SZR

SZR, short for seizure, is the same concept but for things that strobe and flash. Nothing should ever be created in a strobing or flashing manner that riggers epileptic attacks, but if you aren’t sure if it will, you can now warn your followers and users that something is coming that could.

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Animated Gifs in Social Media Streams

Last week I encountered a pseudo 3D animated gif from Doritos that autoplayed while viewing my Twitter feed. This gif was brightly colored, and its “3D” effect triggered a vestibular attack and migraine. As I looked more into the issue, it isn’t just Twitter who does this. It also happens in our Instagram, Vine, Facebook, and Snapchat feeds, just to name a few. Now some of you will tell me, “those channels are meant to work that way.” True, but what if due to advertising, or worse hacking, someone uploaded a gif worse than this Doritos one that autoplayed and triggered a photosensitive epileptic seizure? Who is responsible?

I would say whoever uploaded the gif is certainly responsible, but isn’t the platform as well? Do these really have to autoplay? When it comes to ads, is anyone checking to see if the ads meet certain standards? In radio and television, they don’t turn down ads because they don’t like the content, but if the ad promotes violence, cruelty, causes medical emergencies, or harm to the public, they will refuse to air it. I argue that those similar rules need to apply to the social networks we enjoy as a primary source of content.

I personally want an apology from Doritos for causing me pain. I know it wasn’t done on purpose, but that doesn’t mean it couldn’t have been avoided. Good marketers and user experience professionals need to know the audience and if their audience might have a medical condition that this type of ad would bother, then need to change that ad.

I’m also asking Twitter, Vine, Facebook, Instagram and all other social media platforms to put controls that prevent autoplaying of videos and gifs. The user needs to have control over their experience if movement may trigger physical pain.

And for those of you saying I shouldn’t use the Twitter web interface, why is it there if not to be used? Typically I use my phone, but as a consultant I am on many different machines in a week, some of which can’t have clients installed, and sometimes I’m in buildings where my phone won’t work for security reasons.

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Human Operating Systems

When I speak with people about my chronic illness, there is often confusion on it. Many people think, “your pain [or dizziness] is just in your head” and that I can just let it go or ignore it. Yes, my disabilities are invisible, but that doesn’t mean they aren’t very real. When we meet people who are deaf, we can’t see what is physically wrong with them, but we believe them when they say they can’t hear us. Why don’t we believe people with other disabilities?

While at a meeting recently with a group of parents, we conducted a mindfulness exercise. We meditated on an itch we had on our body. The goal was to sit with the stress an itch can produce and yet not let it bother us. We couldn’t scratch it either. For some parents, the itch went away. Others let it bother them. I enjoyed the sensation, but then I think I have an unfair disadvantage that the group leader knows about and agreed.

One of the parents was curious, and since I’m not exactly shy about speaking of my disabilities, I expanded on it being chronic pain and dizziness. This father blew off my feelings and experience right away saying “It’s all in you head” meaning that I was making it up. I countered that it is in my head, but very real and that if I could wish it away I would in fact to do that.

Human Computers

This began a discussion that had me communicating in a way that seemed to connect with the other parents. If you have seen my talk, UX of Stairs, you have heard me mention the idea of human hardware and software. We are all really complex computers. We are made up of two main systems that are fairly standard.

The first is our hardware. We are all initially connected with the components needed to grow our biological hardware the same, but due to environmental changes, sometimes that hardware doesn’t develop the way it should. After birth we encounter a gigantic world that too is going to influence our hardware. But for the most part we are born with 5 input systems (5 senses), and two output systems (oral and physical).

We also come with a base operating system. One that turns the hardware on and keeps it running. It can take input and translate it to output. But most importantly it can learn. It can combine the input with algorithms we call emotions and creates a new output that is a subclass that we call art. And art comes in many forms. For some it is a visual output like drawing and painting, others produce auditory output like music or language, and still there is the expansion of the core physical output in the form of dance or sports. With training, anyone can process any input through emotions and produce any of these types of output, but for some it comes more naturally than others.

Once in a while you encounter something in your life that affects your software just as it could affect your hardware. This could be a happy event, or perhaps a traumatic one. This experience alters your input, output, or algorithms in such a way that when you experience it again (or something that reminds you of it), your reaction won’t be the same as someone sitting next to you who hasn’t shared that experience.

For some people, this event can simply be suffering lots of pain. Over time, you develop a tolerance for that pain. Sometimes, you are stubborn, like me, and try to move through it when you can’t make it go away. Additionally, your hardware, nerves in this case, may be more or less sensitive causing the input, not the algorithm, to give you a different tolerance.

My dizziness is a matter of my software being rewritten. The vestibular system is made up of our inner ear system, ocular system, and our sense of spatial awareness. Together these form a kind of internal gyroscope. Thousands of points of data are coming in through these systems every second of every day. Your brain needs to clean that data up and process it.

You subconsciously apply a filter to the incoming data and remove the outliers and extremes. This reduces the data to an average that can be easier to work with. I think this is how my algorithm actually works, except that my filter needs new parameters of what to filter. Right now, it doesn’t filter much. A couple years ago, somehow my settings loaded a new configuration file that turned the filter off completely. Over the last 30 months, I’ve been slowly adding them back in through experience and direct training. This makes sense to me as I have been able to slowly tolerate more experiences.

So what happens when my filter is broken? Imagine you are making coffee in the morning. You have your filter in the pot with the coffee in. As you start to pour the water in it strains through the coffee first, then the paper. But the coffee and the paper can only take so much water at a time. If we pour too fast we begin to see the water backup, the coffee grounds float, and eventually the water/coffee combo flow over the sides of the pot. This is what is going in my head. With too much stimuli or when a filter isn’t working properly, I simply can not digest the data coming in. Something will get lost and a mess follows.

Most of the time this means I experience aphasia. Aphasia comes in two forms, receptive and expressive. Receptive aphasia means I literally won’t know what you are saying or doing (usually words). I won’t recognize the sounds, or that they are in fact words. Any I do catch will not register their meaning. “In one ear, out the other.” is probably the best description of this.

Expressive aphasia is when I’m the one doing the communicating. Typically I stop in the middle of a thought or sentence. I’ll wave my hands wildly and move my mouth, but nothing other than gibberish comes out. I can see the concept right in front of me, but I lack the proper words to express it.

While technically the software is in my head, anyone who has tried to program anything (even a VCR clock), knows that it isn’t always as simple as forgetting the current settings and putting in new ones. With learning systems, we can’t delete those files, otherwise we corrupt the whole system. We must slowly reteach things to overwrite the current configuration. The algorithm will never be the same as the original as it always retains the history of what it previously learned, but with enough training, we can get close to the original. This is my hope.

Humans aren’t copies of each other. We are each unique in our hardware and software. The next time you meet someone whose software isn’t running the same as yours, instead of blowing them off, take a moment and try to understand how and why they process things differently. It will help you empathize and understand them. It will also help you expand your algorithms to make you a better person and technologist.

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